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Round 1
Nov 5, 2006 18:14:59 GMT -5
Post by Brandon on Nov 5, 2006 18:14:59 GMT -5
INT: INSANE ASYLUM--DAY
The door to the insane asylum swings open as a man talking on a cell phone enters. The man is Danny Torrance. It's been years since the horrible events that transpired at the Overlook Motel and Danny is now in his early twenties. He works at a small time detective agency, using his gift to solve cases. His amazing talent to find clues and find the location of kidnappers and killers had gained him somewhat of a celebrity status. He has now been put on the Jigsaw case, after several detectives and police force have ended up dead, they turned to him to solve it. For some reason however, he was having trouble seeking answers. The closest he came was a vision of Dr. Hannibal Lecter. He had heard of Hannibal's work in helping in the Red Dragon and Buffalo Bill cases. He also heard of his habit of going after those who seeked his help and his number of escapes. Regardless, Lecter coming to him in a vison couldn't be a coincedence, Lecter knew something and he had to find out.
DANNY: Yeah mom. I know you worry. It will be fine, I'm just gonna ask him few questions and be on my way. In and out, it'll be okay. Look, I'm at the front counter, I'll have to let you go. I love you too.
Danny hangs up the phone and approaches the front desk man. He seems to be wrapped up in the small television he's watching so Danny coughs to get the guys attention.
DESK MAN: (Not taking his eyes of the TV) Can I help you?
DANNY: Yes, My name is Detective Danny Torrance, I'm here for the questioning of Hannibal Lecter.
The Desk Man breaks his gaze from the TV, and rolls his chair over to the computer where he types some stuff in.
DESK MAN: Lecter huh? I'm suprised that guy's still allowed to blink without someone standing over him.
DANNY: Well, I guess this case is too important for them to take the chance.
The desk guy finishes up on the computer and prints off some papers and grabs a clearence card, handing them to Danny.
DESK MAN: Yeah, well if you come back through here with your face missing, I wouldn't be surprised.
Danny just laughs it off and walks on through to the security booth. The desk man goes back to his program when a special news bulliten comes up. The desk man lets out a sigh as his program is interupted. We close into the small TV until bringing us to...
EXT: GRASSY FIELD--DAY
A beautiful young news woman is standing in a grassy field with some other news reporters and cameramen in the background. A slightly strong wind is blowing as she tries to adjust herself. The cameraman informs her she's live and she goes directly into a big smile.
GLORY PARAS: This is Glory Paras of Channel 6 News reporting live from an undisclosed location where minutes ago what appears to be a strange spacecraft has crashed landed.
The camera follows Glory, as she stops so that the spacecraft is behind her. Around the spacecraft are scientist who are testing the spacecraft.
GLORY: No word yet on the origns of the spacecraft or if it contains any living organisms, but it is known to have strayed from a cluster of undetermined contents orbiting around the earth's atmosphere that appeared out of nowhere.
The camera moves upward to show a large mass of clustered objects moving across the sky and over the sun. The core of the mass covers the sun completly as the world goes dark. The surrounding items break off as the ship did and launch toward the earth, slowly letting light back into the earth.
GLORY: Oh my God! It appears as if the objects are now hurdling towards the earth.
The camera stays on the falling objects as a mechanical opening is heard followed quickly by screaming.
GLORY: The doors have opened and--oh my God! Oh my God!
The camera flutters around as the camera man runs and we catch quick glimpses of the creatures jumping about and tearing people apart left and right. The camera man falls along with the camera as we view the field in an askew angle. Strands of light widen as the cluster becomes further and further away from the sun. A figure quickly moves past the camera and we hear the camera mans yells of terror and the camera goes to fuzz. We cut back to...
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Round 1
Nov 5, 2006 18:16:57 GMT -5
Post by Brandon on Nov 5, 2006 18:16:57 GMT -5
INT: INSANE ASYLUM--DAY
Danny is now in the elevator accomponied by a guard.
GUARD: Danny Torrance...Torance...Where have I heard that name before?
DANNY: Well, I recently helped bring in the killer, Dr. Giggles.
GUARD: No, that's not it. Torrance..
Danny tenses up at the thought of another question about his past.It wasn't something he was very fond of reminising on. The elevator doors open up as Danny quickly gets out. The guard stops his pondering as the two make their way down the hall, greeted with the commentary of the inmates. The make their way to the end as the guard leaves Danny to his buisness informing him that he would return in a while.
Danny takes a seat as Hannibal turns around and greets him with a huge cheshire grin. Danny takes out his papers and a pen for any notes he may need to take.
HANNIBAL: Ah, Mr. Torrance...little...Danny...Torrance.
DANNY: Doctor Lecter.
HANNIBAL: Why, you and your mother had quite the experience, didn't you?
Danny's stomach begins to churn but he shrugs it off and jumps to the matter at hand.
DANNY: Yes, yes we did. But we're not here to discuss my life Dr. Lecter. I'm here to get information on the whereabouts of John Kramer, he has been given the nickname of Jigsaw. His latest victim is a girl, Charlene McGee.
HANNIBAL: From what I've read on you, you're quite the crime solver. Why would you need the help of little ol' me?
DANNY: This one's harder for some reason. As if somethings preventing it. I heard you were the guy to ask. And besides, if you want to find a psycho, who better to have the answers than an even bigger one?
HANNIBAL: Speaking of psychos, how about that father of yours? He was one twisted fellow wasn't he? You think if he was still alive, you would be asking him these questions? That is if he would answer you between the swinging of his ax.
Danny loses it as he begins to shake uncontolably. Memories flood back into his mind that he can't stop. It takes everything in his power to shrug it off.
DANNY: Okay, my comment was unneeded. Now back to why I'm here...
Hannibal moves closer to Danny, leering through the plexiglass cell.
HANNIBAL: Your daddy was a drunk wasn't he? I bet he lost control every now and again and let you have a good hit across the face or two. Have you ever thought that the all that time spent isolated with you is the reason he was driven insane? You would have to I suppose, I mean he tried to chop you into tiny little pieces.
DANNY:...About Jigsaw...
HANNIBAL: Okay, since you're so persuasive. Let me see the files.
Lecter opens up a metal compartment attached to his cell as it springs forward. Danny quickly drops copies of the papers into it as Lecter closes it just as quick with great force, toying with Danny's fear of his hands being caught in it. Lecter sits down in the chair and studies the papers and photos.
HANNIBAL: Ah, yes. This Jigsaw is quite the artist, wouldn't you say? The fella has a pentiont for tourture, that's for sure. The fact that you haven't found any clues is a good sign. If this guy leaves you any trace to his whereabouts, it'll mean he has took some interest in you personally. Ah, wait, what's this? (looks closer at the photo)[/b] On the left side of the wall, there's something written there. It's illegiable as is, but if it was tweaked, it may give a hint as to where the woman is being held. It may be unitentional the way it is so hard to see, but regardless I'd watch my back Mr. Torrance. Wouldn't want to have two psychopaths after you in one lifetime would we?
Danny disregards his last comment and looks at the original copy, noticing what Lecter is talking about. At that, he gathers up his things a rises from the chair.
DANNY: I can have one of the boys at the photo lab to lighten it up. I thank you for your time Dr. Lecter.
HANNIBAL: Say, you wouldn't mind if I keep these photo copies do you? I would love to keep them as a keepsake.
DANNY: I don't see why not.
Danny pushes the button and the guard soon comes to escort him out. The guard arrives and the two take off, Danny glances back at Lecter to see he is watching the two walk off. A shiver runs down his spine as Danny turns away and continues onward.
HANNIBAL: I'll see you soon Danny boy.
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Round 1
Nov 5, 2006 18:18:26 GMT -5
Post by Brandon on Nov 5, 2006 18:18:26 GMT -5
The two walk down the hall but are told to stay where they are as two gaurds enter the room with a patient. Danny and the gaurd step back as a distance away Max Cady is dragged toward his holding cell. Suddenly a large crash is heard and the two gaurds are thrown off. Max takes advantage of the situation breaking from their hold and automatically sending his palm into a gaurds nose, sending it crushing upward. Blood gushes out all over the floor as Max grabs the falling gaurds tazer and sends it into the face of the other gaurd.
The gaurd at Danny's side pulls out his gun and prepares to shoot Max, when the automatic electronic doors spring open out of their own accord. Inmates pile out of the cells and begin to rampage their way through. Danny is freaked out, clinging onto his papers as the gaurd shoots a few inmates. He turns to Danny with terror in his eyes.GAURD: Coe on, get the **** out of her kid! Danny takes off running as the gaurd follows close behind him, shooting anyone who comes in his of Danny's way. Meanwhile, Max is getting attacked by various looneys as he takes care of a few, killing them instantly. Hannibal smiles at his luck as he peers out at the chaos. An inmate goes after him as he grabs him by the neck and snaps it. Danny makes it through the inmates and to the elevator as the gaurd runs close behind him. A few crazies notice him and go after him. The gaurd gets close to the elevator doors when Danny shouts out. The gaurd turns to notice the interest in him and goes to shoot. The pull of the trigger is met with a click as he finds himself out of bullets. Turning around he rushes for the elevator but is grabbed by the group. Danny reaches out and grabs his hand, trying his best to pull him in.GAURD: Let go kid! Save yourself! The grip slips as the gaurd is slung into the crowd and ripped apart. Danny pushes the button quickly as the doors shut, the sound of the gaurd screaming is with him as he goes to the top. The doors slide open to reveal mass destruction. A huge crater is made throughout the building. Tons of people are dead and scattered all about. Meanwhile, Max finishes off one of the last remaining inmates by choking them with his cuffs. The inmate falls to the ground, blood spewing from his lips as Max turns to the last inmate as the inmate goes after him. Max sends a punch into the guys throat and grabs the back of the guy's neck, slamming him face first into the prison bars. He continues to do so until there's nothing but a caved in bloody face. Throwing the guy down, he picks up the set of cuff keys from a torn apart officer, unlocks them, and makes his way to the elevator.
A slow clapping is heard as the blood covered Max turns around to see Hannibal, who contains a couple specs of blood from the inmate he dispatched of.HANNIBAL: Quite the display of pent up rage Mr. Cady. I commend you for saving me the trouble of dealing with the problem myself. MAX: People around here treat you like you're someone that you should give a **** about. They fear you. I don't fear ****ing nobody! HANNIBAL: Bravery is such a nobel trait, let's see how long you keep it when I rip you're liver out and feed it to you raw. Hannibal Lecter (Silence of the Lambs)Versus Max Cady (Cape Fear)img386.imageshack.us/img386/1835/hannibalvsmax1ox.jpg[/img]Max rushes toward Hannibal who greets him with a palm to the bridge of his nose. Max's head rears back, as blood gushes from it. Hannibal takes the opening and lunges in at Max's throat, grabbing it with a tight grip. Max coughs out and feels the pain of having the cannibal's strong fingers tearing at his jugular. Max lets out a wild punch, knocking strongly against the side of Lecter's head. Lecter is knocked sideways off Cady and hits the wall. Cady gets up, catches his breathe and snaps his nose back in place. Hannibal is on his way of getting back up as Max picks up a nightstick and rushes forward. Lecter springs around and grabs the nightstick, pulling it toward him and sending another punch to Max's jugular.
Max stumbles back a bit while Hannibal gains control of the nightstick. He bashes ruthlessly at Max's head, from right to left, causing blood to gush from both ears. Max acts as if he's going to attack again so Hannibal sends the end of the nightstick into his throat again. Following up on this, he jabs it at his stomach, knocking the breathe out of him. He then lashes out with a strong smash to the center of the face. Max falls against the prison bars and slumps to the ground.
As a safety measure, Lecter smashes the nightstick one last time against Max's head. Max's world goes black as he fades from conciousness....
From his ears, containing large amounts of dried blood he can faintly hear something. The sounds of gasps of awe and the occasional splatter of puke against the pavement. His body feels like it went through hell and back. His bruised eyes peel open as all he can see at first is blurred fuzziness. His vision slowly come to him as the first thing he sees beyond the police officers is weird writing on the wall in blood. His focus goes downward as he spots pools of blood all across the floor. He notices his heart is beating irregularly and when he looks down at himself he lets out a half scream before dieing. We see the whole picture as Max's intestines are hanging from his opened stomach.
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Round 1
Nov 5, 2006 18:19:23 GMT -5
Post by Brandon on Nov 5, 2006 18:19:23 GMT -5
INT: INSANE ASYLUM
(Moments before the huge crash) Laurie Strode sits in her room, staring out at the barred window vacantly. After numerous murder attempts by her brother, Michael Myers, she had went a little insane. Beyond the times she actually did see him, he had began appearing as hallucinations. She continues to stare out the window as the sky all of a sudden goes black. Darkness fills the courtyard as Laurie stares attentively. She is suddenly startled backward by the face of Michael appearing in the window and staring at her. She scoots across the floor, continuing to stare at her brother. She tries closing her eyes and reopening them but he is still there.
Screams fill the air as Nurse Ratched is making her rounds. She hears the screams from Laurie's room and grabs her medication. Laurie screams at the top of her lungs as Myers is still there. Strands of light begin to fall back the the earth as he continues to stare. The door slings open and he moves onward. Laurie jumps up and clings at Nurse Ratched. She screams about Myers but it comes out as incoherent yelling. Ratched pushes Laurie to the bed and pulls out a needle. Seeing this Laurie freaks out even more and clings to the nurse's hand.
LAURIE: No! You can't, he'll get me! He'll get me!
Nurse Ratched rears back and sends a slap across Laurie's face, pulling the needle from her hands and slinging her back to the bed. Pulling out some liquid, she fills the needle with it and proceed to inject her with it. Laurie rushes upward and sends a punch into Ratched's face, knocking the needle across the floor. Ratched gains composure and wipes the forming blood from her lip. Laurie looks madly at the nurse and eyes the exit. She has to get out before Myers gets to her, no matter what.
Nurse Mildred Ratched (One Flew Over the Cuckoo's Nest) Vs. Laurie Strode (Halloween)
I vote for Nurse Ratched. And for someone else brings it up, I know One Flew Over the Cuckoo's Nest isn't a horror movie, but I figured Nurse Ratched fit in the category.
Any second Myers would make his way through the asylum and turn it into a slaughter house. She had to make it out of there and there was no way in Hell that she was going to convince this ***** to kindly move aside. Nurse Ratched makes a step toward her, fresh blood running back down her busted lip.
NURSE RATCHED: Now Laurie, you're taking your medicine one way or another. So how about you be a good little girl and calmly take them.
Laurie calms down and nods, sitting down on her bed. Ratched gives a **** eating grin and grabs the meds from the nearby cart. As she starts to hand Laurie the medication, Laurie goes to grab her by the wrist. Ratched catches this before it happens and rushes in, placing her hand firmly around Laurie's throat. She tightens her grip causing Laurie to choke and gasp for air.
As Laurie's mouth hangs open, Ratched drops the meds into Laurie's mouth and then loosens up a bit on her grip to smother her into swallowing them. Laurie kicks out and manages to place a well placed kick to Ratched's stomach, kicking her back and into the wall. With that, she springs upward and spits the meds out at Ratched before running off down the hall and out of the building. Ratched quickly gets up and yells to inform the escape. As she exits the room a huge boom is heard, as Ratched looks up to see what's going on, the top of the roof collapses and crushes her underneath.
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Round 1
Nov 5, 2006 18:20:07 GMT -5
Post by Brandon on Nov 5, 2006 18:20:07 GMT -5
EXT: PERFECTION, NEW MEXICO--DAY
A tour bus drives through a set path of concrete as tourist hang from the sides and look at the desert landscape. On the side of the bus reads "Burt Gummer's Graboid Tour" with small text on the bottom stating the general rules. At the front and back of the bus are gun torrents and standing in the center of the vehicle is Max Renn, acting as tour guide in place of Burt until he gets back from his vacation. Max begins to controls a small RC car across the desert ground, dragging some small tin cans behind it. Suddenly the ground begins to rumble. Flashes of cameras begin as the huge Graboid emerges from the earth and swallows the RC in one bite.
A whirling sound is heard from the sky, gaining only Max's attention. The rest of the people are busy staring in awe and snapping pictures of the Graboid. A huge pod makes it's way to toward the bus. Noticing it, Max yells out at the bus driver to drive off, but it's too late. The pod crashes into the tour bus, knocking it off the concrete protection road and crashing it into the desert. The people are slung off the top of the bus and the ones who aren't crushed by the bus are slung wildly to the ground. Max hits the ground hard and rolls a bit. As soon as he knows he's alive, he starts to freak out. Getting up, he limps as fast as he can to the protective barrier.
The Graboid makes it's way through the tourist, swallowing and chomping them one by one. Max manages to gets to the barrier and lets out a sigh of relief. Its then that he notices the pod. Steam rises off it as it begins to open up. He looks at it intently as it slowly opens. Without warning the Alien jumps from the casing and lashes itself at him, waisting no time in tearing him apart. The Alien spots the tourist and makes it's way toward them. It jumps at one of the tourist who is close to escaping and comes inches from getting snared by the Graboid.
Graboid (Tremors) Vs. Alien (Alien)
The tourist is swallowed in one fierce gulp as the Alien leaps into the air, narrowly evading it. It lands behind the Graboid and surveys it. Acting immediately, while the Graboid is busy chomping on another tourist, the Alien strikes with it's tail and punctures it into the side of the Graboid. Orange blood spills out when the Alien withdraws it's tail, hopping out of the way as the Graboid thrashes about. The Graboid withdraws into the ground leaving the Alien somewhat confused.
Seeing some loose tourist who are sprawled about on the protective concrete, the Alien makes it's way toward them. It gets close to them but is cut short as the Graboid springs up out of the ground and snags the Aliens tail. Acidic blood spills on the desert, the blood seems to do little on the Graboid's hide as it withdraws into the ground again.
The Alien screeches out in pain at the loss of it's tail but gets it back as the tail is soon sent flying upward into the air, landing at the Alien's side. The Alien gets more careful in it's movements and as soon as the ground moves, it leaps high into the air and lands on the protective barrier. The tourist begin to panic and run out of the way, a few of them meeting their end at the hands of the Alien. The Graboid tries it's best to reach the Alien, slashing out it's tongue onto the concrete. The Alien follows suit, lashing out it's second mouth and striking it into the tongue.
The Graboid roars out as it's tongue is ripped in half and goes to retreat again. The Alien, leaps onto the hurt Graboid and lands onto it, ripping and clawing at it. The Graboid panics and retreats into the ground with the Alien still on it's back. A while goes by where there is complete calm, aside from the few tourist still alive. The ambiance is soon broken as the Alien's dead carcass is launched out of the ground and onto the concrete.
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Round 1
Nov 5, 2006 18:20:38 GMT -5
Post by Brandon on Nov 5, 2006 18:20:38 GMT -5
EXT: CORNFIELD--DAY
Isaac Chroner, the young preacher, is standing on a wooden podium with a corn strung cross behind it. Below is his right hand man, Malachai, who looks out ahead in the corn field.
ISAAC: Tonight Malachai, tonight will be the night in which the man behinds the rows will arrive. Everything must go smoothly. I trust the sacrifices have been gathered.
MALACHAI: Yes they are--
Malachai stops in mid sentence as his attention goes toward a large clump in the sky that is hurdling toward the cornfield. Isaac notices this as well and quickly steps off the podium. The object zooms past the two and crashes behind them. They look through the path that the clump has made and observe it. They attempt to approach it but step back as it begins to move. The clump begins to separate into several little clumps and then sprawl out into creatures.
Isaac and Malachai both look in awe as the Krites begin to come toward them. Issac reaches on the podium and grabs a kaiser blade holding the handle firmly in his grip...
Isaac and Malachai (Children of the Corn) Vs. Krites (Critters)
The Krites rush toward the two kids at an alarming rate. One pounces upward, jagged teeth shining in the sun. With a quick slash the kaiser blade impales the Krite. Isaac slings the creature off it as it limps into the corn stalks. More bounce around as Isaac takes a few swipes at them. Malachai smashes one down with a rake, blood trickling off it as he lifts it back up. The two are backed further into the cornfield as the persistent creatures attempt to reach them.
A searing pain rushes through Malachai's fingers, looking down he finds the source. Blood oozes off him as the Krite on his hand continues to chomp down. Isaac slashes the kaiser blade into it's body, causing it to loosen it's bite and fall dead to the ground.
The lack of focus on the forward wave of Krites, allows them to break through the two's defenses and attack. Isaac's clothes are slowly ripped as a few Krites bite into him. Malachai tears the few off him and runs away through the cornfield leaving Isaac to fend them off himself. He picks several of them off himself and manages to back away. He reaches for the rake and knocks the creatures back, while making his way onto the podium. He manages to kill of a couple more, leaving five left.
Isaac finds it odd when the remaining Krites stop their attacks. They draw close to each other and then proceed to cuddle together. Soon they begin to meld into a big ball in which unravels to reveal a giant Krite. The Krite slashes at the podium, knocking the steps apart and stepping closer toward the base. A loud mechanical sound is heard, getting both the attentions of the Krite and Isaac.
From out of the huge stalks of corn makes way a big plower driven by Malachai. As Malachai looks onward he is shocked to see the one big Krite. He continues to drive onward, watching as Isaac sends the rake into the face of the Krite. Blood gushes from it's eyes as it stumbles backward. Noticing this, Isaac jumps down and runs a bit ahead of the Krite to a fuel hose. He pulls on the hose, stretching it into the air and causing the big Krite to fall backward into the chipper. A grinding is soon followed and chunks of the Krite spread across the cornfield. Malachai shuts the engine off and steps off the machine to join Isaac.
ISAAC: Good thinking Malachai. (Looking at the mess) Fetch someone to clean this up, such an abomination does not belong littered across "He who walks behind the Rows'" field. And, get the sacrifices prepared, (looks at the sun) the time is almost nigh...
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Round 1
Nov 5, 2006 18:22:03 GMT -5
Post by Brandon on Nov 5, 2006 18:22:03 GMT -5
EXT: TRUCK STOP--DAY A man sits in his big rig eating a sandwich while listening to his CB radio. A small hint of static is heard which is followed by the sound of a woman's voice. GIRL: Hello, is anyone on here? This is Sweet Tart, and I'm hot and horny. Rusty Nail picks up the CB and begins to chat with the "girl". Meanwhile across the way, a big rig sits vacant in the parking lot. The rig reads "Happy Toyzâ„¢" on it's side and on the grill is a big green face jester (one of the toy company's trademark characters). A big ball of green energy suddenly descends from the sky and smashes into the Happy Toys truck fading into it.
The truck suddenly starts itself as the jester's eye's light up with a yellow-green tint. On the other side, Rusty Nail has just found out "the joke" as he throws down the CB in rage. He was tired of these punk ass kids messing around on the CBs and planned to do something about it. His plotting is put on hold as he notices the Happy Toyz truck heading toward him at full speed. He quickly throws his sandwich to the side and starts up his rig.
Rusy Nail (Joyride) Vs. The Happy Toyz Truck (Maximum Overdrive)
EXT: TRUCK STOP--DAY
The Happy Toyz truck barrels toward Rusty Nail's rig as he hurries to move onward. He manages to drive forward and turn out of the way, just as the possessed truck zooms past. The Happy Toys Truck travels onward, hurdling toward a group of people and ruthlessly plows into them. Blood splatters the toy face on the grill of the rig and spills onto the street.
The Happy Toyz Truck makes a turn around the small diner and chases after Rusty Nail's rig. Rusty Nail slams on the gas as he speeds through the vacant highway, the Happy Toyz Truck right on his ass. The truck bumps into the bed of Rusty Nail's truck, grating against it and denting it.
RUSTY NAIL: ****!
Rusty Nail stomps the gas hard, giving it all it's got as he manages to pull away from the truck a bit. He gets ahead far enough to slam on his breaks and pulls a turn. The front pulls to the other lane as the back slowly pulls behind, spilling onto the desert and eventually aligning with the front. The Happy Toyz Truck attempts the same move, however, the weight of it's back contents is heavy and sends it crashing to it's side. It tries to get up, it's wheels spinning wildly. The sound of squealing tires fills the air and the truck's gas begins to leak on the highway.
The sound of squealing tires is accompanied by the heavy engine of Rusty Nail's truck as it speeds toward the Happy Toyz Truck and crashes into the bed of the truck. Parts spill onto the desert and highway and the front is thrown about. It blows up, throwing out fire and the green mist as Rusty Nail passes through.
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Round 1
Nov 5, 2006 18:22:36 GMT -5
Post by Brandon on Nov 5, 2006 18:22:36 GMT -5
INT: PHOTO LAB--DAY
Danny Torrance stood in the photo lab as his friend worked on processing the photos via computer. He had barely escaped the asylum with his life and his thoughts drifted off to the fate of the security guard that had helped him. The look on his eyes, the look of terror, reminded him of his dramatic ordeal. The thing that crashed into the asylum was an oddity to say the least but he was too committed to the case at hand to let even a weird object from the sky distract him from his goal. His life was dedicated to helping people, so that none of them would meet an unneeded fate at the hands of a psychopath.
HARRIS: I got it!
The outburst of accomplishment of his friend had startled Danny back into consciousness. He walks over to the computer to see the once blurred smudge, revealed as a crisp clear point in the right direction. The words said "Final Fates Amusements". This was where Charlene McGee was, and this is where he had to go. He gives his friend a pat on the shoulder.
DANNY: Great job, I should really pay you.
HARRIS: Should? You know where the place is?
DANNY: Yeah, it's that old amusement park down town that was closed down a few years ago.
HARRIS: How very Scooby Dooish...
DANNY: I'm outta here, I got to round of backup and get to work.
HARRIS: Be careful.
Danny heads out of the lab and on his way to rid the world of another psycho...
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Round 1
Nov 5, 2006 18:24:31 GMT -5
Post by Brandon on Nov 5, 2006 18:24:31 GMT -5
INT: APARTMENT BUILDING--DAY
The room is darkly lit and the sound of light music is playing in the background. A dark figure is sitting in the middle of the room in a chair as the door to the bathroom opens up. A women steps out dressed in nothing but a blue velvet robe. She slowly stumbles toward the dark figure and nearly tumbles over herself in the darkness.
FRANK BOOTH: Come closer *****!
Frank takes a small mask at his side and breathes deeply into it, inhaling the helium.
FRANK: (in a high pitched voice) Baby wants blue velvet!
The woman moves closer and then falls forward as Frank pulls at the velvet robe. He gropes her body through the velvet and makes his way upward. His groping is put on hold as the door knocks. He looks toward the door as another knock follows. The knocking doesn't stop and is persistent.
NANCY THOMPSON: Mrs. Dawkins? It's Nancy, I'm here to discuss the trouble you've been having...
Frank looks at the woman with a snarl.
FRANK: (voice back to normal) You filthy *****!
She starts to protest but is knocked across the face and drops cold on the floor. Frank grabs a Pabst Blue Ribbon beer and guzzles the rest of it down before going to the door. Outside Nancy gives up and turns around to leave until the door opens up. She turns back around with a smile which subsides as she is pulled into the room and the door is closed behind her.
Frank Booth (Blue Velvet) Vs. Nancy Thompson (A Nightmare on Elm Street)
Nancy Thompson walks up the apartment steps and stops at room 218. Ever since her experience with Freddy, she had managed to conquer her dreams and became a dream councilor, helping people with their sleep troubles. Recently Mrs. Dawkins had came to her about her night terrors and made an appointment for Nancy to meet with her.
Nancy knocks on the apartment door and waits for someone to answer it. Movement is heard in the room and Nancy knocks on the door again. Some more movement is heard as Nancy knocks once more.
NANCY THOMPSON: Mrs. Dawkins? It's Nancy, I'm here to discuss the trouble you've been having...
She waits a little longer for a response and when there is none, she shrugs and turns around. The door suddenly opens up and she turns around with a smile. The smile fades as she sees a gruff looking man who reaches for her and drags her into the apartment, slamming the door behind them. Nancy is slung to the ground and into the chair, spilling over it and hitting the floor. She clings to get up as she spots Mrs. Dawkins' knocked out beside her.
FRANK: What has that ***** told you? How much do you know?
Frank sends a kick into Nancy's stomach, sending her back down.
FRANK: Huh? Huh?
Nancy clings to get up as Frank inhales into his helium mask, gaining the eerie squeaky voice again.
FRANK: Tell me what you know *****! Tell me!
Nancy tries to explain but is knocked across the room. He steps up to her and grabs her by the shirt, revving back for a punch. Nancy juts up, her eyes rolled into the back of her head. Frank thinks he might have knocked a screw loose before Nancy reaches outward and grabs Frank's shoulder. Frank's eyes suddenly take the same appearance of Nancy's as the two of them slump to the ground. The image begins to fade as we go to...
INT: NIGHTCLUB--?
Frank finds himself in the nightclub that he frequents a lot. On stage is a woman dressed in blue velvet, singing "Blue Velvet". He looks around cautiously and tries to figure out what the hell happened. The lights begin to flicker in the club and suddenly everything is set to a blue hue. He steps closer to the stage as the woman stares at him lustfully. She approaches him and reaches a hand out to him. He steps on the stage and a chair is seen in the middle. Frank is set down as the woman rubs him down.
WOMAN: I need punished daddy. Hit me....
She rubs up against him as his hands roam the blue velvet over her naked body. He puts the velvet in his mouth and holds it there for a second. She steps back a bit and looks at him as she starts to discard the robe. The robe falls to her feet as the look on Frank's face shifts to a look of horror. The woman's body is littered with deep scars and the breast have been replaced with two monster hands that proceed to choke him.
Frank begins to cough as the hands grip tighter across his throat. The velvet on the stage takes a life of it's own as it expands and wraps around Frank's body. He is thrown into a sea of blue velvet void as the monster woman disappears. He floats in the void for a while before landing on the hard ground. He springs up and finds himself...
INT: APARTMENT--NIGHT
His wakes up to find himself back where he started. It was all a crazy nightmare. How did that ***** pull that off? Speaking of which, she was still laying unconscious on the floor next to him. He grabs his gun and gets to his feet, aiming it at Nancy. He pulls the trigger, shooting several bullets into her body. Smiling with a look of satisfaction he rests the gun at his side.
Nancy's body begins to leak out a dark blue blood. Frank looks at it confused as the body starts to shake and he is suddenly knocked toward the ceiling by a blast of blue blood spraying out of Nancy's corpse. He bounces off the ceiling and hits the floor, landing with a thud. The blood shifts from blue to the normal red, which covers nearly the entire room. Nancy's springs up, the wounds in her chest fully healed. She looks at Frank who is reduced to a quivering scared shell of who he once was. Nancy smiles evilly at Frank, her eyes glowing bright white.
The small helium mask at Frank's side floats in the air and attaches itself to his mouth. The mask begins to pump helium into Frank's lungs at an alarming rate, his heart begin pumping faster and faster. The beat gets to an intensifying pace and suddenly bursts out his chest, sending blood everywhere. With that, Nancy disappears and we are took back into the real world.
Nancy gets up, slightly breathing hard. Her face carries some bruises left by Frank but his fate is much worse. Nancy looks at Frank's dead body, blood leaking from his nose and lips. She slowly gets up and goes to attend to the woman.[/i]
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Round 1
Nov 5, 2006 18:25:59 GMT -5
Post by Brandon on Nov 5, 2006 18:25:59 GMT -5
EXT: DOWNTOWN--NIGHT
The sun has went down bringing out all kinds of crazies. One in particular being David, a punk rocker looking vampire. He is accompanied by a group of other vampires as they hang around outside, drinking and causing trouble. We zoom past them and swing into...
INT: T.J. O' MARLEY'S PUB--NIGHT
Shaun sits at the bar, sipping his beer. His vacation to the states was proving to be less adventurous than he expected. He would have been joined by his friend Ed, but since spreading another zombie epidemic would be a bad thing, he was left at home. Shaun finishes his beer and pays for it, taking off and exiting the bar...
EXT: DOWNTOWN--NIGHT
As Shaun exits the pub, he is grabbed by a few of the vamps. He struggles to break free as David approaches him.
DAVID: Well, what do we have here?
We lift up from the street and reach the roof top where a figure is crouched down waiting. David punches Shaun in the face as the group of vamps laugh.
FATHER MCGRUDER: Evil is among us...
McGruder jumps down from the rooftop, landing in between Shaun and David. David goes to punch him as McGruder ducks down, sending the punch in Shaun's face. He springs back up, grabbing the two vamps holding Shaun around the neck by each arm and slings them to the ground. At this David takes a step back.
DAVID: Who the hell are you?!
FATHER MCGRUDER: The names Father McGruder and I kick arse for the Lord!
McGruder starts to lay into David as a melee of gunshots breaks it up. The group looks across the alley to see a zombie holding an assault rifle. Big Daddy sends another wave of bullets into the air as he roars out.
Shaun (Shaun of the Dead) & Father McGruder (Dead Alive) Vs. David (Lost Boys) & Big Daddy (Land of the Dead)
Big Daddy fires a shot in the groups direction, roaring out violently. McGruder jolts forward, taking a vampire by the neck and using him as a shield while running toward the big zombie. When he gets close, he discards the tattered corpse and does a jumping flip to land behind Big Daddy. Quickly, he swings his arm around the zombie and applies pressure. Free of the hold of the two vampires, Shaun lashes out with a punch to David's face followed by him quickly retracting it and holding it in pain. A little bit of blood forms from David's lips as he simply smiles. He licks the blood off his lip and draws back, knocking Shaun into the alley and through a bunch of trash.
Meanwhile, McGruder holds his grip around Big Daddy's neck but is eventually overpowered and flipped to the street. He lays there motionless as Big Daddy approaches him. Big Daddy stands over him and aims the gun right at the preacher's head, preparing to squeeze his rotting finger around the trigger. McGruder's eyes suddenly spring open as he spreads his feet apart, spreading Big Daddy's legs and sending him downward into a split. He quickly moves his legs as Big Daddy lowers to the ground and he places a hard kick into the face.
David sends a few of his companions to go and retrieve Shaun. The alley is dark and little can be seen aside from the backs of the two vampires out to get Shaun. A loud squishing sound is heard, followed quickly by wooden handles protruding through the two vamp's backs. Blood glistens off the handles in the light provided by the street as the two vampires stumble out back toward David. It is revealed that a broom and a plunger is jammed into the vampire's chests. They fall at David's feet with one last moan.
McGruder is back up and immediately kicks the fallen gun out of the way. He hops around, waiting for Big Daddy to get back up and as soon as he does, he is met with a melee of kicks from the preacher to the face.
Shaun steps out of the alleyway armed with a trash can lid and the metal leg of a broken bar stool. David gives a smirk, pulling out a switchblade and leaping high into the air. Shaun looks around to see that David has disappeared. He spins around frightened as he tries to find him. David suddenly lands behind him quietly, his face in vampire form. He goes to grab Shaun around the neck with his clawed hands.
FATHER MCGRUDER: Watch out boy!
Shaun spins around to see David. David lunges out with the switchblade at Shaun as he swings the trash can lid in front of him. The blade goes through the lid, nearly slicing Shaun's hand. Thinking quickly he twists the lid sending the blade out of David's hands. David retaliates with a strong back hand which sends Shaun skidding across the street.
McGruder's warning to Shaun had allowed Big Daddy to recover and catch him off guard, sending a punch into the preacher's face. A little blood escapes McGruder's mouth but he takes it. As Big Daddy goes to punch again, McGruder grabs it in his hand. Big Daddy swings the other hand in which the same happens. The Father smiles as he holds both arms by the wrists and uses both feet to press against the zombies chest. McGruder lands on the ground as both muscular arms rip from Big Daddy's body. Blood spills across the ground while a panicked Big Daddy stumbles around. McGruder leaps up and begins to bash the zombie ruthlessly with his own limbs until he is nothing but a stain on the road.
On the other side, Shaun watches as David comes closer. When he gets close enough Shaun sends the table leg hurdling toward David. The stool leg stops two inches from his chest as he catches it with his hand. He looks and laughs at Shaun who begins to scoot away.
DAVID: That's the best you got you piece of--
A shocked expression washes over both David and Shaun's face as a pair of hands come from behind David and plunges the stool leg deep into his chest. David's body slumps over revealing a heavy set figure standing behind it.
SHAUN: Ed?!
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Round 1
Nov 5, 2006 18:26:56 GMT -5
Post by Brandon on Nov 5, 2006 18:26:56 GMT -5
INT: AIRPLANE--NIGHT
The pilot and co-pilot sit in the cockpit, prepping the plane for takeoff. The flight had already been delayed once and was leaning on a second time if they didn't figure out what was wrong with it.
PILOT: What the hell's taking him so long?
We zoom past the pilots and into the plane, going toward the back and passing a flight attendant fixing coffee. We go into the cargo hold where a technician is slumped over a crate, blood spewing from his neck. The body twitches and suddenly the technician springs up. His eyes glazed over and blood leaking from his slack jawed mouth. He begins to head toward the front of the plane as he smell fresh meat...
We shift through the plane and swing into...
INT: AIRPORT--NIGHT
Jackson Ripner eyes his target. A beautiful young girl who is sipping on her drink at the airport bar. He goes to approach her when another well dressed man sits beside her. Jackson clinches his fist furiously. Something had to be done about this, problem. Ripner casually walks over to the bar and takes a seat a couple seats down from the girl. He intently listens to the guy trying to smooth talk her. From the look on the girl's face, it's working. Damn, the ****er was going to ruin his whole set up. The intercom comes on informs that due to technical difficulties, the flight to Sacramento was going to be switched to another plane.
Ripner watches as the well dressed guy and the girl walk off to get redirected. He jumps up from his seat, and walks up ahead of them. Lurking in a shadowed area he waits for them to pass, and as they do, he grabs the guy, slinging him back and into the darkness.
RIPNER: Sorry pal, but your in the wrong place at the wrong time.
The guy slings Ripner off him and pushes him against the wall. Patrick Bateman withdraws a knife hiding at his side and brandishes it.
PATRICK BATEMAN: I think you should know, they still haven't found the last guy that got in the way of me and something I want.
Jackson Ripner (Red Eye) Vs. Patrick Bateman (American Psycho)
Ripner tries to make a move out of the dark corner but finds himself slammed back against the wall. Bateman grabs him by his hair and slams him against the wall a few times before taking the knife and pointing it at his throat. He makes a small indention, leaving a thin trail of blood as he lightly brushes the razor sharp knife over Ripner's throat. Ripner leans against the wall and as Bateman draws back to plunge the knife into his throat, he sends his foot into his gut, knocking him backward into the lighted area.
People freak as they see Bateman tumble backward and fall on his ass with knife in hand. Ripner spots the girl who is waiting in line for the transfer. He had to get to her and on that plane without gaining attention to himself. He could still salvage his mission. He slinks out of the shadow and begins to walk toward the girl, Bateman catches him and springs up, startling the crowd even more. He runs at full sprint and knocks Ripner off his feet and onto the ground. The commotion garners the attention of airport security as they begin to make their way toward the two.
Two security guards approach Ripner and Bateman, pointing their guns at them and telling them to freeze. The two stop in mid fight and slowly stand up to their feet.
SECURITY GUARD: Drop the knife!
Bateman slowly begins to drop the knife, and suddenly slings it toward one of the guards. The knife stabs the guards hand, causing him to drop the gun. Bateman leaps for it, catching it and tossing the guard in the way as the other guard fires a shot. The bullet enters his companion's chest, throwing out a trail of blood out. Before the guard can respond, he is shot in the middle of the head.
Bateman fires at Ripner and hits him on the leg. He fires again but misses as Ripner rushes full force and tackles him to the ground. By now the gunshots have gained the attention of everyone in the airport, and Ripner has nothing left to lose. He was practically a dead man now that the mission had gone bad. He throws several punches into Bateman's face as police force and security begin to form. Ripner grips at the throat of Bateman with one hand as he tries to get the gun with the other. The security are quickly drawing closer but the two catch a break as the lights flicker and shut off completely. The airport is filled with darkness and the mumblings and screams of panicked people.
Little to nothing can be seen in the airport aside from what is provided by the little light outside. Luckily for Bateman, there was a wide area opened up due to the gunshots. He easily hears Ripner as he limps to get away from Bateman and the security and fires two shots into his back. He smiles as he hears Ripner's body hit the floor and slinks off to avoid trouble.
The emergency lights flicker on to reveal Ripner on the floor bleeding heavy from his back and Bateman nowhere to be seen.
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Round 1
Nov 5, 2006 18:27:37 GMT -5
Post by Brandon on Nov 5, 2006 18:27:37 GMT -5
EXT: OVERLOOK HOTEL--NIGHT
On what used to be the Overlook Hotel, sit a big carnival tent. The tent is glowing and giving off extreme heat, which has melted all the snow around. An opening opens up as several Killer Klowns exit. They were far off course, due to being gravitated toward the cluster of objects in space and thrown out at random. Near the side of the tent, Jack Torrance is hurdled with an evil look frozen on his face, the ax still in his grip. A slight movement is seen while the ice that was recently covering him thaws off.
A Klown notices the body and veers off from the group to check it out. It touches Jack with it's big gloves, feeling his face and studying him. It notices a slow pulse forming and goes after it's gun. As it does it is surprised to get the blade of the ax sliced straight centered through the face. The Klown bursts into confetti as Jack looks around at his surroundings.[/i]
Jack Torrance (The Shining) Vs. Killer Klowns (Killer Klowns From Outer Space)
Jack breathes heavily as he slowly begins to adjust to his environment and the fact that a clown had just blew up into party favors. The large group of Killer Klowns have now picked up the presence of Jack and spot him huddled beside their spacecraft. Jack takes notice of them as well and grips onto his icy ax in preparation.
Jack rushes outward after them, slamming the blade of the ax into the first one he comes across and slings it into another one before it bursts. A Klown stumbles with it's cotton candy cocoon gun but before it can shoot, Jack has already knocked it backward and sends the top of the ax into it's face. The Klown's face is smashed completely in, before the Klown explodes. Jack is grabbed by a big Klown and slung into the air, as he begins to land, Killer sends a punch into him sending him rolling across the ground. Jack stumbles in the snow, grabbing his ax and wobbling back up.
He finds himself grabbed by two Klown and held down as Killer approaches with it's gun in hand. Jack breaks free from the two Klown's hold and slings them in front causing them to take the blast. A pink cocoon forms with parts of the Klowns sticking out. A sadistic look sweeps over Jack's face as he takes off in a sprint and launches himself at Killer, clawing at it's face and ripping the nose off with his bare hands.
He falls on both feet as Killer spins around backward before meeting the same fate as it's fallen brethren. Jack hears a Klown behind him and turns around abruptly, grabbing the Klown by the hair of the head and running quickly toward the metallic tent. A loud smash is heard as the Klown's face crashes into the tent, blowing up into confetti shortly after. He looks around, he figures around ten left. Out of nowhere, a small Klown lands in front of him with a pair of boxing gloves. Tiny bounces up and down as it moves around the huge gloves. Jack goes to send the ax down on Tiny but is surprised to have the little Klown throw him backward. Jack quickly gets up, only to be knocked feet away by Tiny.
Jack tumbles in the snow and falls flat. His head feels like it was nearly ripped off and his ears are ringing. He stumbles upward to see the remaining Klowns (minus Tiny) closing in on him. His head gets back on straight, but his ears still continue to ring out as he rushes forward. He sends the ax into one's face and quickly turns around to smash the wooden handle into the nose of one behind him. They close even closer in on him as he makes one broad slash, bursting five of them at once. Grabbing two by the head, he smashes them together, bursting them.
There is only one left... Jack looks at Tiny who begins to run away.
JACK: Oh no you don't you little ****!
Jack rushes after the tiny Klown and grabs him up by the neck, turning him around and biting his nose completely off, spitting it out before it and the body are reduced to nothingness. Jack falls down out of breathe, the cold air beginning to fill his lungs. He suddenly gets a feeling. He senses his son, it's far off but strong. He uses the thought of pulling out his son's insides as motivation as he walks through the snow.
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Round 1
Nov 5, 2006 18:28:18 GMT -5
Post by Brandon on Nov 5, 2006 18:28:18 GMT -5
EXT: GRANNY'S BED AND BREAKFAST--NIGHT
Several people sit on the porch of the bed and breakfast in the quite mountain area. Most of them are newlywed couples. In the quite night, a whistling is heard from far off. The whistling grows closer as a visible figure is seen. It looks like a man dressed in a hat and a trench coat. As the figure approaches the porch it gains screams from those sitting on it. They begin to run as the Creeper sheds it's clothes and ruthlessly goes after them, tearing them quickly apart and throwing the parts he needs in a neat pile.
A whirling sound is heard from the inside of the house and as the Creeper turns around to investigate it, he is bludgeoned by a barrage of bullets. He is knocked backward as the doors fall off their hinges revealing Burt Gummer holding a huge torrent gun. The gun smokes as he steps on the porch, eying the Creeper getting up.
BURT: Well now. This vacation is finally starting to kick off.
The Creeper (Jeepers Creepers) Vs. Burt Gummer (Tremors)
The Creeper looks down at his chest, noticing a chunk has been took out of it. The torrent begins to fire up again and upon hearing it, the Creeper spreads it's wings and takes off into the sky. Burt is shocked as the creature takes off and finds it hard to see the creature in the night sky. He quickly flips on his night vision goggles and turns them on.
BURT: There you are you little sucker!
Burt fires out into the sky, missing the Creeper as he dodges the bullets in the air.The Creeper ducks into the nearby corn field and emerges back out within seconds with a wooden post in his clawed hands. The post lauches at Gummer at great speed. Parts of it splinter in the fire, but the brunt of it still hits him with an impact. The gun falls from Burt's hands as he falls onto the ground.
The Creeper lands on the ground a few feet from Burt and picks him up, slamming him into the bed and breakfast. Burt slouches on the wall, knocked out as the Creeper goes to his pile and sorts through it picking out a liver and a stomach. He gorges on them feverishly and upon ingestion, turns his attention back to Burt. Burt starts showing sights of consciousness when the Creeper grabs him by the collar and zooms into the sky.
On take off Burt awakes from his knock out and notices he's up in the air. He begins to scream out as he looks at the ground below, watching his night goggles fall. He then remembers his military knife at his side and grabs it, slamming it into the Creeper's newly refurnished gut. The Creeper panics, dropping altitude and drops Gummer on the roof before crashing downward himself. Burt skids across the roof, fighting hard on the tin roof to not fall off the side. He luckily stops inches away from the edge and lets out a sigh of relief before the Creeper crashes through the roof.
Screaming is heard from the inside as people begin running out of the bed and breakfast. Burt claws his way up to the hole and jumps through. The Creeper has moved on to attack some more people, ripping them apart for parts he needs. Burt slinks past the carnage and slinks into his room. Seconds later he emerges from the room dressed head to toe in combat gear. The Creeper emerges from a room covered in blood and fully repaired. He snarls at Burt as he charges after him. A clicking sound is heard before the gun in Gummer's hands sends out a burst of flames.
The flames spread over the Creepers body and the air is immediately filled with the nauseating smell of burnt flesh. The Creeper flails about, catching random objects on fire it the process. Gummer switches to the AK 47 and lets loose on the Creeper's body. Chunks of burning flesh fly off. By now, those still alive have made it out and watch the carnage take place from afar. Despite being on fire and riddled with bullets, the Creeper still makes it's way toward Gummer. With one quick fiery back hand, Gummer is sent crashing through the window, rolling on the small roof section and hits the ground. The Creeper goes to eat more parts, when he notices a ticking. Down on the floor lays a timed grenade with seconds left from detonation as Burt runs toward the group of people. Parts of the house and the Creeper fly everywhere as the grenade blows up. All that's left is fiery carnage and the smell of smoke mixed with burnt flesh. Burt's eyes suddenly go wide with terror.
BURT: Ah dammit! My rations!
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Round 1
Nov 5, 2006 18:29:02 GMT -5
Post by Brandon on Nov 5, 2006 18:29:02 GMT -5
INT: MORTUARY--NIGHT
On the mortician table lays the body of a weird looking guy with some metallic attachments on him and a breathing mask around his face. Two small people dressed in brown robes. They begin to do an autopsy on the man when the body springs alive and grabs both of them, strangling them until there is a pool of yellow blood beneath them. Dr. Satan drops the two and turns his attention toward the door where a tall man in mortician attire stands, slightly smirking.
TALLMAN: A being with such odd attributes and raw strength will be the perfect addition to my army. Don't fight it...just give in.
As Dr. Satan springs upward, two metallic cylinders float beside the Tallman and eject a rigged blade.
The Tallman (Phantasm) Vs. Dr. Satan (House of 1000 Corpses)
The silver orbs float a little ahead of the Tallman, hovering along with him as he walks up to Dr. Satan. Dr. Satan wearily lunges his arm at the Tallman, sending the Tallman jumping backward and the two orbs floating horizontally out of the way. Forgetting about the orbs, Dr. Satan slowly moves to lunge at the Tallman. The Tallman is knocked backward into a shelf of various chemicals. He hits the floor as the shelf collapses.
Dr. Satan makes his way to the fallen body of the Tallman, until the two spheres begin to circle around him. He tries to swat them away but they are too quick. He does his best to keep track of the speedy objects as they continue to swerve out of harms way. While Dr. Satan is distracted, the Tallman slowly get up to his feet. Dr. Satan manages to hit down one of the orbs, smashing it against the wall and then feels a pinch on his arm. He turns to see the Tallman and a needle inside his arm. The fluid is injected before he strikes at the Tallman, but misses as the Tallman vanishes.
The room is empty now. Dr. Satan begins to feel a bit sluggish but still manages to get to the hallway. He looks around, no signs of the Tallman, or anyone for that matter. The sound of the orbs are heard. The sound begins to grow as they come closer. Dr. Satan looks down the hallway to see a swarm of metallic spheres heading his direction. He goes to turn the other way, but sees the same amount in that direction. They begin to circle around him as one makes it's way from the group and comes close to him. Dr. Satan tries his best to avoid the sphere but the drug begins to kick in. The sphere's blade sinks deep into Dr. Satan's head, sending out a spray of blood from it's other side. The spray is soon reduced to a dribble and Dr. Satan's body falls to the ground. The wave of orbs spread out and fly back down the hallway, revealing the Tallman standing behind them. He walks up to Dr. Satan and lets out a haunting laugh that echos through the mortuary hall.
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Round 1
Nov 5, 2006 18:30:01 GMT -5
Post by Brandon on Nov 5, 2006 18:30:01 GMT -5
INT: SHADY OAKS NURSING HOME--NIGHT
A loud crunching is heard from the dining hall in the darkly lit nursing home. The sounds attract the attention of a little old lady as she is on her way back to her room. She decides to check out the source, peering around the corner. What she sees is the back of a man who appears to be feasting on various foods. The woman, now knowing what it is, approaches the man.
OLD WOMAN: Hey! Hey! That's not for you! You're not supposed to be down here!
Seth Brundle turns around, his face distorted and various sweet foods caking his face. Upon closer look, the flesh of his hands are beginning to slip off. The old lady loses her words, her face becomes frozen with a look of shock.
BRUNDLE: I-I can't help myself...I smelled the sweet food and I ju--had to eat it. I'm afraid I can't let you l-live.
The old lady keeps the shocked expression as she slowly backs away. Drips of frosting and batter drop to the floor when Brundle approaches her. Before he makes a step, the old lady lunges at her chest and falls to the ground, moving violently at first and then stopping suddenly. Brundle bends down over the now dead body, and spits a huge glob of vomit onto her face. The vomit begins to melt down the old lady's face upon impact.
A flickering is heard, causing Brundle to look into the hallway. What little lights there are begin to flicker on and off rapidly. Brundle sniffs the air, sensing the smell of rotting flesh mixed with a slight tinge of garbage. In the hallway, the hurried tapping of a walker is heard followed by an old man tripping in front of the doorway to the dining area. The walker flies further into the hallway as the old man falls to the ground. A snap is heard as the old man cries out. He lets out a low cry for help before he is dragged backward out of sight. Some weird sounds are heard and then the cries of the old man stop.
It's quite for a minute, Brundle still keeps his gaze at the door, taking a scoop of melted face and throwing it into his mouth as if he were eating popcorn and watching a movie. The silence is broken by some footsteps heading toward the door. In the doorway, Bubba Ho-Tepp stops and looks at Brundle. Upon being noticed, Brundle takes one more scoop of old lady and gets up, ready for a fight.
Brundlefly (The Fly) Vs. Bubba Ho-Tepp (Bubba Ho-Tepp)
Bubba Ho-Tepp takes a few slow steps into the dining area watching as Brundle gets up and finishes munching on the face sludge. Bits of the sludge fall in drops on the floor as Brundle looks at the cowboy mummy.
BRUNDLE: And here I was th-thinking that I was the only freak around here.
He jumps back as Bubba suddenly lunges out at him with a heavy swing. As the swing is finished, Brundle jumps forward and sends a punch into Bubba's chest, causing the mummy to stumble back a bit. As Brundle begins to pull away, Bubba grabs him by the arm. He moves to pull away, sending his skin sliding off into Bubba's hands. From the elbow to the hand, Brundle's left arm is now that of an insects.
Bubba looks at the mass of flesh in his hands and tosses it to the ground in mild disgust. Brundle quickly sends a glob of vomit onto Bubba's chest before jumping back and avoiding another attack. The vomit begins to break away the already decayed chest of Bubba Ho-Tepp. Bubba is slightly worried but keeps his focus on Brundle. He sends out a sluggish punch, making contact with Brundle's jaw and knocking him backward over a table.
Brundle hits hard, but manages to quickly get to his feet. He looks forward to notice that Bubba has disappeared. Looking around intently he hears a noise behind him just as Bubba lunges forward. Bubba hits Brundle on the back of the head before Brundle turns around, grabbing Bubba by the throat. Spotting a stool in front of them, he lifts the struggling mummy higher and sends him flying backward on top of the stool. The top of the stool bursts out of Bubba's gooey chest and his body slowly slides to the ground. He tries to remove it from his chest as Brundle peers in front of his face. A hocking sound is heard, before the vomit is sent flying into his face and all goes black.
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